Thursday, July 2, 2009

Richard Garet & Brendan Murray - Of Distance (2009)



As you can see, I removed the link before I even got a chance to review this. Such is the way of blogs. I truly apologize to the person who contacted me about the link, and I promise that no KiC post will offer anything for download from your label again. I should point out, however, that without the blogs, I would not have ever heard about this release, or your fine label. I think this speaks in part to the power of grass roots/word of mouth publicity. There is just too much new music, and too many reissues I'm waiting on, to prevent this sort of thing from falling through the cracks. Now I'd be thrilled to own this in my CD collection. However, I feel that KiC, and other MP3 blogs, sometimes force labels to accept this point of view, which is unfair. Just as the old bands were frustrated when their records couldn't be found in the local record stores, I'm sure there is a sinking feeling attached to finding one's album on an MP3 blog. We've gotten great feedback from several artists for the effort of putting obscure releases neglected by labels out there, but we've also been asked to pull things. From here on, I plan to be more active in contacting labels prior to any posting of new (calendar year) material, and I also want to extend a hand to the labels we've posted, and to artists we've yet to post.

USE THIS THREAD to request coverage of a release, or to set up contacts with KiC. I would love to review your material, and I won't post it to the net. Instead, I'll give a direct link to your label's ordering page if I like the record. If I don't, I'll write the review, and post it to one of the 'zines I write for. This is about sharing great music, and I want labels and artists to think of this as KiC doing promotional work for free, rather than the antagonistic relationship a few see in this situation.

To this end, KiC is in the early stages of a redesign and move to a legitamate URL, which will basically be like Pitchfork, or Dusted, but covering this sort of music. I know there is a glut of review sites, but few cover the kind of things we try to here, so I think it will be a welcome addition, and allow for more legitimacy and a wider audience for great music. Stay tuned!

19 comments:

Anonymous,  July 2, 2009 8:22 PM  

JUST realized this is on Cookshop. Too many DLs to keep track of. Sorry! I'll take down the DL link and give you a forwarding link. :-/

Anonymous,  July 3, 2009 3:27 AM  

thank's a lot for this blog
and special about nww and ashley
2 littles presents here

http://www.sendspace.com/file/dx6xl7

and here

http://www.sendspace.com/file/8vqlbq

best regards

rainier

see you at

myspace.com/lericolaisrainier

doru649 July 4, 2009 11:07 AM  

Well, Millions/Esseiva were also on the Cookshop, so I'm not exactly bothered. at least one of the 2 artists might be, though.

Anonymous,  July 4, 2009 11:54 AM  

Oh really? Why? Something specific?

ben owen,  July 5, 2009 4:47 AM  

"just the usual" = labels like to survive..

Anonymous,  July 5, 2009 1:24 PM  

Link pulled at request. All apologies.

pabanks July 6, 2009 7:51 AM  

http://windsmeasurerecordings.net/shop2/

Here is the "buy" link.

prince zaleski July 6, 2009 8:21 AM  

thank you and thank you and thank you Paul for the great work, and for your words (both the reviews and what you stated in this post, which i find perfectly equilibrated and wise).

Anonymous,  July 6, 2009 8:22 AM  

from a personal experience: posting an album 3 days after its release or say 1 year (after it's all OOP) gets it the same number of downloads. it just goes to show that most bloggers are left/trusted by their followers to dig out the releases for them. it's an alternative source to, say, that of the mags/webzines, Pitchforks et al. not totally "alternative", mind, but still something to appreciate in its own terms methinks.

fisticuffs July 7, 2009 12:35 PM  

I just stumbled onto this blog and LOVE it. great sense of openness and communication and obviously a delicious variety of music to fill my head with.
i wanted to take dark magus up on his offer to review some tunes ive been getting down with - but i cant figure out how to reach him. any hints?
email - mattson.ogg@gmail.com

Bruce July 7, 2009 12:43 PM  

Speaking as a label guy, your attitude is refreshing and encouraging. I believe there has to be a way to give people a taste of recordings without discouraging sales for small labels and bands that have trouble enough getting attention as it is.
When you wrote "sinking feeling" you really hit the nail on the head. As much as everybody likes to see the word get out on their music, it's hard to see something put up for free when your basement or closet is filled up with unsold CDs or LPs.
So Mr. Magus, drop me a line if you're interested in FSS artists and music.

righard July 7, 2009 2:51 PM  

as per fisticuffs' comment - how do i get hold of dark magus?

righard July 7, 2009 2:53 PM  

please drop me a mail at righardkapp@gmail.com

Anonymous,  July 7, 2009 4:36 PM  

For now, get ahold of me at the kic account I set up.

killedincars46@gmail.com

DM

Anonymous,  July 9, 2009 7:53 AM  

Don't worry, new posts are coming soon. I am also setting up a tumblr:

killedincars.tumblr.com

I'm hoping to move to there if I can't find a satisfying layout here. (there were a couple I found, but the code is not working and it is junking up my photobucket account).

PB

Brendan July 9, 2009 8:11 PM  

I appreciate the removal of the link by KIC, a blog I regularly read and yes, download OOP recordings from now and again.

It should be pointed out that this recording is packaged in a hand printed fold out cover that the label spent many months constructing.

Richard and I spent nearly three years working on this material and mastered it to be heard in an uncompressed format and seen in the custom package.

Thanks to KIC for their support and thoughtful writing of interesting music of all stripes.

Anonymous,  July 10, 2009 5:55 AM  

Thanks for the post. I really enjoy the record, and I know that so much time goes into its production. Like I said, I see both sides of the equation, but I defer to the artists/labels in every instance.

Thank you, also, for your kind words. It is nice to know that KiC has developed a following, and I'm hoping to translate that following into something better in the future to give even more coverage to the kind of music that brings me so much enjoyment.

To that end, like I've told people in private emails, and on this thread, I am going to get to your requests this weekend. I am busy during the week, and can't really take on the more business-related aspects of what I want to undertake. If you have posted a comment here, but not emailed, I will reach out then as well.

Have a good Friday!

PB

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MILES DAVIS


By 1973, Miles had gone crazy. I often ask myself, in reference to an athlete lost to excess, or an artist that has burned too brightly, does the caring person in me have the ability to bring myself, should I somehow be granted such powers, to erase great works of art by curing the illness that brought them to be? Here, the case is simple: would I be humane enough to let Miles free of his demons, knowing that doing so would erase all the art he made in the midst of his madness?

If I were alive and asked this in 1975, I would certainly say yes. The music in question was largely, perhaps near-unanimously, reviled by critics. Miles, his health shattered, had just retired for what was to be five years. Dave Liebman was solid, but was also one of very few longstanding sax players to pair with Miles without subsequently gaining worldwide fame (I'm still waiting on a Gary Bartz revival - I'll lead the way). Miles had unleashed masterpieces like On the Corner, Get Up With It, and garnered neither the younger black audience he wanted, nor the sales of his prior albums (namely, Bitches Brew).

However, time has a way of changing things. Miles' work from this period has seen a decade-long critical resuscitation, the dry clicks and repetition of On the Corner a false ancestor of dubstep, the pulsing ambiance of "He Loved Him Madly" was ahead of Eno, ahead of dark jazz, and ahead of about ten other genres. Miles was more mournful in his playing, the searcher was more lost than ever, and his body matched his tone: brittle, thin, static then frenetic (could be the coke there). Given all this, I don't know if I could let Miles go if that meant this art would go away. Whatever was chasing miles over a quarter-century ago, it lead him into areas so far ahead of his time, it is staggering.

EXCEPTIONAL NEW RELEASE

Photobucket
Your Snakelilke King, by the duo of Dylan Nyoukis and Karen Constance under the name Blood Stereo, was a steady climber throughout the year for me. The first thing that caught me, as is often the case, is the stunning cover art, which, luckily for them and for me, came to my attention when I was deeply into dance a while earlier in the year. I also had wanted to check something out by Dylan Nyoukis, as I'd heard his name bandied about by some other writers that I trust, but was kind of put off by the album with the cover of him naked.

Enter Your Snakelilke King. The second track, "The Taking of the Tonic," is what originally caught my ear, as it started off with the sort of high pitched, spare vocal spikes that would be common on a Keiji Haino record. After that portion, there are layered vocals, scratching textures, and a sort of propelled development through the rest of the track that simultaneously has a circular motion to it, a sort of swirling vortex in the speaker array. In a way, the vocals mimic something from Burning Star Core's more saliva-based excursions, which is a good thing.

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